The Contemporary Arts Center undertook a $1.1 million lobby renovation last year. Since reopening, the dramatic lobby space, originally designed by internationally acclaimed Zaha Hadid, has added the wonderful Collective Espresso as a cafe operator, and now also includes a kinetic light display along its famed seven-story “Urban Carpet” wall.
The installation, entitled Cincinnati Swing, was designed by Erwin Redl and includes 160 pendulums distributed in a diamond grid pattern following the 4×4′ grid of the concrete panels. The installation is complemented nicely by Matt Kotlarczyk’s cloud-like chandeliers. In combination with one another, they provide a truly unique lighting scheme for the lobby space, which also features the CAC’s museum shop.
Open from 7am to 6pm during the week, and 9am to 3pm on Saturday and Sunday, the lobby of the CAC is free and open to the public. Of course, it does cost money to purchase food and drink from Collective Espresso, along with items from the museum store.
The CAC is easily accessible from virtually every Metro bus via the Government Square Transit Center a block away, and is also within several blocks of numerous Red Bike stations.
The University of Cincinnati’s School of Planning is co-hosting a film series this month with the Center for Film & Media Studies at the Esquire Theatre in Clifton.
The first, to take place this Wednesday at 7:30pm, is Spike Lee’s Do The Right Thing, which explores the topics of race and gentrification. While focused on Brooklyn, the film provides a good foundation for discussion for many American cities currently struggling with both issues; and how they are often closely related with one another.
“The three films will focus on current social issues that our cities are facing, such as gentrification, social justice and racial exclusion,” Dr. Kickert explained. “The film series is a great way to for Cincinnatians to experience and discuss the social issues that cities are facing, and the role that cinema and urban planning has in these debates.”
The second film, Metropolis by German filmmaker Fritz Lang, will be shown on March 9, also at 7:30pm. Filmed in 1927, Metropolis depicts a dystopian future from the 1920s that reflects on social equity in the industrial city.
The final showing will take place on March 16, and will feature La Haine by French filmmaker Mathieu Kassovitz. In this film, Kassovitz looks at the life of young people in a notorious French suburb.
Each one of the screenings will be introduced by a professor from UC’s nationally acclaimed School of Planning, and will include a discussion afterward that will be led by a faculty member from the Center for Film & Media Studies.
Tickets for each of the film showings can be purchased on the Esquire Theatre’s website. They start at $7 for children and senior citizens, and $9.75 for adults. The Esquire Theatre is accessible by several Metro bus routes, and is within a block of a Red Bike station. Bike parking is free and located in the immediate blocks.
Each year the Over-the-Rhine Chamber of Commerce recognizes outstanding individuals and businesses within the neighborhood at their annual Star Awards event. This year’s event will take place at The Transept on Wednesday, March 16 at 4pm, and will feature Harvey Lewis as the keynote speaker.
Last year, Jai Washington was honored with the Individual Contribution of the Year award for her years of involvement in the neighborhood.
Washington told UrbanCincy that she was pleasantly surprised to receive the award last year, but says she has long been in love with Over-the-Rhine for a variety of reasons.
“I was nominated by good friend and coworker at the Peasley Neighborhood Center,” she said. “I believe it stems from two things – I have been involved with community most of my career, but I have also become more involved and present at the chamber as their community outreach liaison. They were able to see in real-time what I’m involved with in the community.”
Field of Greens [Provided]
Her engagement, however, extends far beyond her current roles at the Over-the-Rhine Chamber of Commerce and the Peasley Neighborhood Center. Over the years Washington has worked or volunteered at Inktank, Elementz, Future Leaders OTR, ArtsWave, Black Family Reunion Festival, Cincy Cinco, and even at Fox19 for some time as a citizen reporter.
While being firmly connected with Over-the-Rhine, Washington says that she actually first became connected with the neighborhood while living in Wyoming and commuting to OTR for work at Iris Book Café on Main Street. After that, in 2009, she started Cincinnati Conscience – a radio show on Media Bridges – which is what many people still know her for today.
“This provided me a fertile ground to meet people,” Washington explained. “I would interview people in the neighborhood who were trying to make a difference.”
Of course, such a rooted history in Over-the-Rhine means that Washington has seen the neighborhood change over time. That change, she says, has brought both good and bad particulars with it; and it is her hope, in her next endeavor, to help raise the level of conversation and discourse about what is happening in the neighborhood.
“I think the changes are beautiful and bittersweet. OTR, in its rawness in the 80s and late 70s, had this bad rap of being an island of misfit toys, but it was also a place of refuge for me early on in life. I found it difficult to find my place in the city, but OTR was this place where I was welcome, and it didn’t matter my race, gender, or sexual orientation. History, necessity, and location brought us all together.”
This shared story, as Washington explains it, is defined by the city and neighborhoods in which we work and live. These physical and cultural experiences, regardless of who you are or where you come from, are things that can tie people together.
“I want to be a facilitator of our shared story,” Washington explained. “Political correctness has done us a disservice in that we’ve lost shared stories; and I want to provide the opportunity to people to share these stories in a very professional way.”
One such way she might go about doing this is through guided walks. By engaging people in such activities, Washington believes people can connect in a very raw manner while also connecting with the city’s past.
“I want the world to know that the misfits matter. They are still here holding the place for those coming here now,” Washington concluded. “We have gone from a place for the misfit toys, to Disneyland; and I’m not sure I will be able to afford to live here much longer.”
“The middle is being whittled away; and I’m saddened by that because I’ve invested so much in this community.”
Many efforts are being made to maintain Over-the-Rhine as a diverse and inclusive place, but as the pace of development gains more speed, it will become more important than ever for city leaders to determine priorities and craft policies in a way to make sure OTR doesn’t lose one of its stars.
We will find out who will be this year’s individual stand-out next month.
Hopscotch Garden Parklet at Braxton Brewing [Provided]
Five sites and designs were recently selected for bringing parklets to the heart of Covington. The announcement came on Friday, January 15 and marked the conclusion of a design-build competition called Curb’d.
Organizers say that the intent of the competition was to support Covington’s business districts by promoting walkability, connectivity and placemaking – topics that align with the Haile/U.S. Bank Foundation, Renaissance Covington and MainStrasse Village Association, which provided financial support for the competition.
The five selected sites are also seen as a pathway link between the MainStrasse and Renaissance districts in Covington’s downtown.
Wish-Igloo Parklet at Left Bank Coffeehouse [Provided]
Mountain/Tunnel/Xylophone Parklet at Stoney’s Village Toy Shoppe [Provided]
The Boxing Ring Parket at Cutman Barbershop [Provided]
First popularized in North America in San Francisco, parklets have grown in popularity over the years particularly in neighborhood business districts looking to reclaim public space from cars for people walking, biking, shopping or simply relaxing. Over the years, cities, like Chicago, have even embraced the idea so much that specific design guidelines and practices have been institutionalized to lend legitimacy to the movement.
In Cincinnati that has so far not been the case.
In 2012, a parklet program was proposed for Over-the-Rhine, but the effort never gained the community support, funding and endorsement from City Hall that it would ultimately require. Since that time, ideas have been pitched to develop a parklet in front of Tucker’s Restaurant on Vine Street, but those efforts have also fallen short.
Aside from that, the closest the region has come to experiencing the transformation of on-street parking spaces into other uses has come in the form of the international celebration of PARK(ing) Day.
While parklets have generally become known as public seating areas or small parks, the organizers of Curb’d said they wanted to push the limits with this competition.
“The examples that we showed the businesses and designers in our information sessions were glow-in-the-dark swings, a mini-movie theater, and a bus stop that resembled an old school radio,” explained Sam O’Connor, Curb’d project coordinator. “Ultimately, we wanted our design teams to really discover the potential of a parking space.”
After finding businesses interested in participating, O’Connor says they, in cooperation with the participating businesses, then proceeded to curate a collection of 12 design teams that would come up with proposals for the spaces. The selected design teams then worked with local fabrication workshops to discuss their ideas and work through the logistics of turning their designs into reality.
Ride Parklet at Inspirado at Madison Gallery [Provided]
Hopscotch Garden Parklet at Braxton Brewing [Provided]
Hopscotch Garden Parklet at Braxton Brewing [Provided]
After some further refinement, five design teams had their proposals selected to receive funding to have them built.
A+D Design developed what they called Hopscotch Garden for space in front of Braxton Brewing on W. Seventh Street, and will work with 3dx on fabrication. The concept calls for a space that will allow for people to sit and enjoy a beer or coffee outside, while also offering a hopscotch zone.
BPHOGS Design came up with The Boxing Ring for a location in front of Cutman Barbershop and Flow. They will work with Weld Rite Industries to produce the parklet, which will include passive spaces for seating and dining. The parklet will also include several programmed spaces, which, fittingly enough, will include speed bags positioned along the sidewalk to allow for maximum accessibility, and a center area for a game of Rock ‘Em Sock ‘Em.
Hub+Weber Architects designed a parklet intended for people to exercise and enjoy virtual trips to far away destinations, or even classic movies shown on a projector powered by the pedaling of the bikes. The stationary bicycle space will be located in front of Inspirado at Madison Gallery.
In front of Left Bank Coffeehouse, Seth Trance and Harry Ross developed a concept they call Wish-Igloo, which they hope will promote engagement between the first person who uses the parklet and the last person who does so. Trance and Ross believe this will be accomplished through the parklet’s striking design that is both changeable and invites users to physically manipulate the space.
The final project is also, perhaps, the most unique. To be located next to Stoney’s Village Toy Shoppe, John Noble & Team came up with a design that includes a range of engaging toys for children of varying ages. In essence, the parklet is seen as a way to extend the shop’s culture out onto the street, while also encouraging children to be more active.
Fabrication of each of the five parklets is expected to begin within the next week or so, with installation taking place the first week of May. O’Connor says they plan to do a grand reveal on Friday, May 6, with the parklets staying in place until the end of October when they will then be taken down.
EDITORIAL NOTE: An earlier version of this story incorrectly stated that MSA Architects designed ‘The Boxing Ring’ parklet for in front of Cutman Barbershop. That parklet design was actually produced by BPHOGS Design. Additionally, due to a mix-up in winning project announcements, it was incorrectly stated that Hub+Weber Architects designed the coloring lounge concept for in front of Madison Gallery. Hub+Weber Architects actually designed a stationary bicycle parklet. Both items have been corrected in this story.
Internet forums often serve as a popular location for people to share historical photos of the cities they love, but a new project from a People’s Liberty grantee is bringing that historical looking glass to the streets of Over-the-Rhine.
Anne Delano Steinert, a doctoral student at the University of Cincinnati studying urban and public history, says that she came up with the idea after enjoying place-based historical projects elsewhere – including Jay Shell’s rap lyrics project in New York City, RepoHistory’s work on Civil Disturbances (1998-1999) and Queer Spaces (1994), and The Museum in the Streets in Hastings-On-Hudson, New York.
The idea she employs is simple. She posts historical photos in public places to contrast what that view looked like generations ago. Her initial effort has focused on Over-the-Rhine, but has the possibility of expanding to other places depending on funding and demand.
The project, called Look Here!, is already offering a refreshing analog experience in a city so often defined by tech and digital communications. It is even more beneficial due to the fact that it is equally available for all to experience, regardless of income or access to technology.
“I strongly believe that all of us, regardless of age, class, or training have the ability to read the built environment as a way to enrich our understanding of the past,” Steinert explains. “As a result, I have chosen to post only historic photographs without informational text. The exhibit relies on you to read the photographs, ask questions and make meaning for yourself.”
Steinert says that she hopes this exploration leads people to conduct their own additional exploration and research. She also hopes that it serves as a bridge between the established residents of the historical neighborhood, and the many newcomers.
“The rapid change happening in Over-the-Rhine makes it an ideal location for the exhibit,” Steinert says. “As buildings are rehabilitated and new users join long-established residents, it is important to root the present in an understanding of the past. As the neighborhood evolves, this exhibition will allow Cincinnatians to make connections between the past and the present.”
The 69 exhibits positioned throughout Over-the-Rhine are planned to stay in place through March 2016.
EDITORIAL NOTE: All 17 photographs were taken by Eric Anspach for UrbanCincy in December 2015.
The University of Cincinnati’s School of Planning is co-hosting a film series this month with the Center for Film & Media Studies at the Esquire Theatre in 
