Posts by Jake Mecklenborg

Jake Mecklenborg joined UrbanCincy in 2009, contributing original articles, photographs, and videos. He grew up on Cincinnati’s west side and graduated from St. Xavier High School in 1996. Jake went on to study at the University of Tennessee and Ohio University. His book, Cincinnati’s Incomplete Subway: The Complete History, was published by The History Press in 2010. He currently lives on Mulberry Street overlooking Over-the-Rhine. Contact him at jakemecklenborg@gmail.com or follow him on Twitter @JakeMecklenborg.

PHOTOS: 2013 DAAP Fashion Show Dazzles Sold-Out Crowd

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When the College of Design, Architecture, Art & Planning puts on their annual DAAP Fashion Show at the University of Cincinnati, it is the hottest ticket in town. The region’s best fashion designers show off their work to their families, friends, and potential employers as they make their fabulous exit from DAAP, and sometimes Cincinnati.

This year’s DAAP Fashion Show was the 62nd year of the event, and it was held last Friday inside the University of Cincinnati’s architecturally acclaimed Campus Recreation Center.

Hundreds packed the event, which was hosted by 1985 DAAP graduate David Meister. and featured the work of the School of Design’s Fashion Design and Product Development departments. All 52 of the following photographs were taken by Jake Mecklenborg for UrbanCincy.

Special Streetcar Meeting Called by Roxanne Qualls in Light of Funding Issues

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On Tuesday, City Manager Milton Dohoney sent a memo to council members that said after a thorough review of the bid process, construction of the streetcar tracks, electrical equipment, and maintenance facility will cost $17 million more than the city had budgeted. This news raises the total cost of the project from $110 million to approximately $127 million.

As a result Vice Mayor Roxanne Qualls (C), Chair of the Budget and Finance Committee, has called a special meeting April 29 at 6pm. Dohoney will report on the costs of cancelling Cincinnati’s streetcar project, which broke ground in 2012.

Utility relocation work has been underway for more than a year, and fabrication of five streetcars began at CAF’s facility in Zaragoza, Spain in early 2013. The City of Cincinnati reports that $20.3 million has been spent on the streetcar project to date.

Ohio TRAC
Two failed ballot initiatives meant to kill the Cincinnati Streetcar, and the revocation of $51.8M from TRAC have delayed temporarily set back the project for years. Photograph by Jake Mecklenborg for UrbanCincy.

So far Cincinnati’s streetcar has been the recipient of three federal grants totaling $39.9 million dollars. If the project is cancelled, the city will likely have to reimburse the federal government for whatever grant funds have been spent. Additionally, it will either need to cancel its contract with CAF or sell the five streetcars to another city after they are completed in 2014.

Planning for the streetcar project began in late 2006. A study was completed in 2007 and funding was assembled in 2008. On the cusp of groundbreaking, COAST, the notorious local anti-tax group, mounted a petition drive that saw an anti-streetcar charter amendment placed on the November 2009 ballot. Issue 9 was defeated, but it succeeded in delaying the project by a year.

During that same election, John Kasich (R) was elected governor of Ohio. He immediately cancelled Ohio’s 3C Passenger Rail project, scuttled state funding for new express Metro routes funded under outgoing Governor Ted Strickland (D), and appointed Jerry Wray chair of the Ohio Department of Transportation (ODOT).

In April 2011, the Transit Review Advisory Committee (TRAC), also chaired by Wray, cancelled $51.8 million in state for Cincinnati’s streetcar project and directed the funds to railroad overpass projects in rural Ohio.

Without its largest grant, a connection to the University of Cincinnati was removed from the project’s first phase.

Sensing weakness, COAST mounted another petition drive and again succeeded in placing an anti-streetcar charter amendment on the ballot. Issue 48 was defeated but succeeded in delaying the project for another full year.

In that same election, all incumbent Republicans, with the exception of Charlie Winburn, were swept from council and replaced by a 6-3 pro-streetcar majority. The project broke ground in February 2012 but the track, electrical, and car barn contract was delayed by litigation between the City and Duke Energy.

The Public Utilities Commission of Ohio (PUCO) ruled in the city’s favor in late 2012 and the project was put out to bid in February 2013.

Bids came in significantly higher than the city budgeted, and on April 29 council will hear the cost of cancelling the project verses continuing with the project as planned, presumably after voting to sell $17 million more in bonds.

After this rise in the project’s cost from $110 million to $127 million, annual debt service paid from the city’s capital fund will be approximately $4 million. Operations costs, paid from the operations general fund, will be about $3 million.

The $7 million annual cost to operate the streetcar system will consume less than 2% of the city’s annual $400 million budget.

PHOTOS: $80M Mixed-Use Development Nears Completion in Clifton Heights

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Since 2000, the University of Cincinnati’s surroundings have changed dramatically – many homes and a few landmark buildings were demolished for construction of Stetson Square, McMillan Manor, University Park Apartments, and 65 West. U Square at the Loop, a 161-unit, $80 million midrise situated between McMillan and Calhoun Streets, has been under construction for more than a year and is scheduled for occupancy on August 1.

The development includes over a dozen street-level commercial spaces, an office building that has been rented by the University of Cincinnati, and a site fronting McMillan Street where a hotel is planned. Apartment prices range between $695 for studios to $2,350 for penthouses with balconies.

U Square at The Loop

Reserved parking spaces in the development’s two garages will cost $95/month. Unlike other new apartment complexes in the area, units at U Square at the Loop can be rented by non-students.

In the early 2000s the site where U Square at the Loop is being built was partially cleared for a very different development – a 360-unit condo midrise dubbed McMillan Park that had been in planning since 1999. The two phases of the development were planned above two underground parking garages totaling 900 spaces, and planned units ranged from $160,000 for a one bedroom to $800,000 for a penthouse.

That project was to be financed by the University of Cincinnati, the site assembled by the City of Cincinnati through eminent domain, and the project managed by the Clifton Heights Community Urban Redevelopment Corporation (CHCURC). Demolition of properties began in 2003, but litigation involving the owners of Acropolis Chili, Inn the Wood, and two fast food restaurants was not resolved until 2007, a year after the university withdrew its funding.

In 2008 Towne Properties became the project’s developer, and the long-vacant Hardee’s and Arby’s that had been the subject of eminent domain litigation were demolished that summer.

Renderings depicting a development similar to what is nearing completion in 2013 were published that fall, and the project was dubbed Uptown Commons in 2009. The project’s name changed again to U Square at the Loop in 2010 and construction began in 2012.

PHOTOS: Historic Glencoe-Auburn Place Row Houses are Being Demolished

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After more than a decade of failed redevelopment plans demolition of the 129-year-old Glencoe-Auburn Place Row Houses began on March 19.

Known colloquially as “The Hole” for its dramatic hillside setting in historic Mt. Auburn, the multi-building complex abuts Christ Hospital and has long been eyed in its expansion plans. The complex was listed on the National Register of Historic Places in December 2003, at the request of architect Tom Hefley and developer Pauline Van der Haer.

Christ Hospital Expansion
This aerial photograph from September 2012 shows both the Christ Hospital Expansion [CENTER-LEFT] and the historic “Glencoe Hole” [MIDDLE RIGHT]. Image provided.

Van der Hear, through her development company named Dorian Development, planned to renovate the complex into 68 market-rate condominiums during the early 2000s housing bubble. The “Condos Available” sign, still visible after today’s demolition work, has been in place since at least 2004, when the project was featured prominently in Cincinnati Magazine.

The large-scale modification of the old buildings (the original apartment units all have three very small floors connected by unusually narrow staircases) and the need for a multi-deck parking garage made the creation of a viable project impossible without large subsidies from the City of Cincinnati. Since the early 2000s Van der Hear has been involved in several high profile attempts to win awards from the City.

COAST attacked the project in 2008 after it received a $300,000 grant from the city, but in 2009 Christ Hospital took advantage of the collapse of the condo market and moved to acquire the complex from Dorian Development. Van der Haer sued Christ Hospital in 2011, claiming “tortious, deliberate, intentional and malicious interference” in her development plans, but the Ohio Supreme Court and an appellate court ruled in the hospital’s favor, citing the lack of a written contract between the City and Dorian Development.

The arrival of bulldozers adds to a growing list of historic properties uptown that have faced similar fates in recent years as a surge of private investment has moved in to construct hundreds of new residences and hundreds of thousands of square feet of new commercial space.

The following 12 images were all taken by Jake Mecklenborg at the site on Tuesday, March 19 – just five days after a demolition permit had been granted.

PHOTOS: The fire that almost took down Cincinnati’s iconic Old St. George

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Today marks the five-year anniversary of the fire that nearly destroyed one of Cincinnati’s great 19th century landmarks, and took down the Old St. George’s iconic twin steeples.

Designed by famed Cincinnati architect Samuel Hannaford, the western steeple at Old St. George caught fire and quickly spread to the adjacent steeple. The electrical fire on February 1, 2008 brought an ignominious end to the steeples that stood handsomely above Calhoun Street for 130 years.

Old St. George
A bizarre electrical fire claimed the iconic steeples of Old St. George on February 1, 2008. Photographs by Jake Mecklenborg for UrbanCincy.

Those who feared what remained of the church would be condemned awoke the next morning to news that the sanctuary and towers suffered no critical damage, but within days, crews removed what remained of the steeples and installed caps over the towers.

The church saw a variety of reuses throughout the 1990s following its closure as a place of worship in 1993 when it was merged with St. Monica’s just six blocks away. Since going into foreclosure in 2004, however, the building has sat vacant with the occasional redevelopment proposal, including one that would have demolished the structure for a new Walgreens.

In response to the proposed demolition, the Clifton Heights Community Urban Redevelopment (CHCURC) purchased Old St. George for $1.6 million. Since purchasing the building in 2005 very little has happened.

“Part of our mission is to preserve architecturally significant buildings in the neighborhood,” Matt Bourgeois, CHCURC Director, told the Business Courier in March 2012. “It’s one of the more prominent buildings you’re ever going to find.”

Current plans call for the historic church to undergo a $22 million renovation that would transform the space into an 80-room hotel and events center.

PHOTOS: $55M Waldvogel Viaduct reconstruction nearing completion

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The reconstruction of the Waldvogel Viaduct was spared from the massive spending cuts at the Ohio Department of Transportation (ODOT) last January, and has been able to continue on its scheduled path.

According to City of Cincinnati officials, the project will replace the existing, half-mile structure that connects the Sixth Street Expressway to Elberon Avenue, Warsaw Avenue and River Road in Lower Price Hill and Queensgate. The existing structure had been deteriorating at a rapid pace, and had been rated in “Poor” condition for several years leading up to the project.

The $55 million Waldvogel Viaduct reconstruction project is also preserving space for a future bicycle / pedestrian path planned for Cincinnati’s western riverfront.

As of this month, very little remains of the 73-year-old elevated roadway. UrbanCincy contributor, Jake Mecklenborg, visited the construction site last week to capture the visual progress being made in Lower Price Hill.

Afghan Whigs return to Cincinnati to ring in 2013, possibly end career

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Cincinnati’s Afghan Whigs reunited in 2012 for a world tour that began with a dozen dates in Europe, Israel, Australia, and Canada, appearances at various summer festivals including Lollapalooza 2012 in Chicago, and ended with a fall tour of the United States. The band did not appear in Cincinnati until late in the tour, and by all accounts the band’s October 25 performance at Bogart’s was a dominating one, centered around material from 1993’s Gentlemen and 1996’s Black Love.

The New Year’s Eve show differed dramatically from their October appearance, with a 9-piece stage band and almost no overlap in the set list. A horn section and backing singers enabled faithful performances of songs from 1965, the Whigs’ final and most technically ambitious studio album. Although the band performed much material from 1965 elsewhere in 2012, the band largely skipped over these songs at the October 25 performance in anticipation of the special New Year’s Eve show.

The Afghan Whigs play at Bogart’s on New Year’s Eve. Photograph by Travis Estell for UrbanCincy.

The full instrumentation of the 1965 tracks and the three closing songs from Black Love, played in sequence during the encore, were the show’s highlights. Conspicuously absent were “Milez is Dead”, “Honkey’s Ladder”, “Debonair”, and a number of other well-known songs that in place of ballads and other scattered material could have avoided the lull that marred the midpoint of Monday night’s show. Further, the PA mix was completely different – the searing sizzle of the guitars heard in October was pulled back and at times obscured by muddiness coming up from the bass guitar or some other source.

Hanging like a cloud over Monday night’s show was the knowledge that it was probably the final live performance by the Afghan Whigs, ever. Singer Greg Dulli announced that possibility late in the evening, soon after asking for a show of hands from people who traveled to the show from outside of Cincinnati. With hundreds hands raised, Dulli paused for a moment as if he might start a natives vs. visitors shouting match resembling the Ohio vs. Kentucky shouting heard each year at the Riverfest fireworks.

Instead, he never called on Cincinnatians and let the uncomfortable silence speak for itself – a slap at the local radio stations, other media outlets, and local music fans who never supported the band in their heyday or during the 2012 reunion. Aside from CityBeat, no local media source made anything more than a casual mention of the 2012 tour, and with the demise of WOXY, The Afghan Whigs are heard today only on low-wattage WAIF and WNKU.

Anecdotally, I have not heard the Afghan Whigs even once in public – either at a bar or at a party – since moving back to Cincinnati in 2007. The band’s failure to become the Next Big Thing in the 1990s is discussed ad nauseam on seemingly every Internet discussion board and YouTube comment section, but the failure of Cincinnati to embrace them then or now is another. Neighboring cities like Cleveland and especially Detroit have always celebrated their native sons, but Cincinnati seems determined to ignore The Afghan Whigs as much as they do James Brown and the legacy of King Records.