As we all know by now, most architecture today is pure shit. Well, a recent piece by the architecture critiques at The New York Times that says contemporary architects are largely out of touch with society didn’t sit well with architecture power broker Aaron Betsky.
In a response piece to Betsky’s commentary on the matter, Forbes published a piece from Justin Shubow, President of the National Civic Art Society and author of The Gehry Towers over Eisenhower, panning the former outspoken director of the Cincinnati Art Museum.
Betsky rained down on Bingler and Pedersen with ridicule and scorn: Their piece was “so pointless and riddled with clichés as to beggar comprehension.” He summarized their position: “we have three of the standard criticisms of buildings designed by architects: first, they are ugly according to what the piece’s authors perceive as some sort of widely-held community standard (or at least according to some 88-year old ladies); second, they are built without consultation; third they don’t work.”
Yet Betsky then admitted, “All those critiques might be true.” They are irrelevant, he claims, since architecture must be about experimentation and the shock of the new. (Why this should be the case he does not say.) And sometimes designers must stretch technology to the breaking (or leaking) point: “The fact that buildings look strange to some people, and that roofs sometimes leak, is part and parcel of the research and development aspect of the design discipline.” Ever brave, he is willing to let others suffer for his art.
At no point did Betsky consider the actual human beings, the unwilling guinea pigs who live in the houses. He implicitly says of the poor residents: Do their roofs leak? Let them buy buckets. And as for sickness-inducing mold, there’s Obamacare for that. Betsky also does not consider what a leaky roof means to people whose prior homes were destroyed by water. The architects, having completed their noble experiments, effectively say like the arrogant King Louis XV of France: “Après moi, le deluge” [After me, the flood]. No wonder architects have an image problem.