Streetcar Supporters to Announce Expanded Coalition Urging for System’s Expansion Uptown

AcDowntown to Uptown Cincinnati Streetcar Routecording to officials at the Southwest Ohio Regional Transit Authority (SORTA), which governs Metro, more than 1,000 of the 1,500 Founders’ Club cards were sold within the first three days of going on sale.

The rate of sales is exceeding expectations, and many believe the remaining allotment will be sold within the next few days. In fact, $25 cards have already been taken off of Metro’s website, with a very limited number remaining at City Hall and Metro’s sales office.

The remaining $50 and $100 cards can still be purchased online, but it is not clear for how much longer due to their dwindling supply.

Streetcar supporters are pointing to this as clear evidence of the excitement surrounding the project, especially given that those buying the cards will not be able to use them until the system goes into operation in September 2016.

“Selling $72,000 worth of fare cards for a starter line that’s nearly two years from being operational shows the level of support and enthusiasm for the Cincinnati Streetcar to finally be up and running,” Derek Bauman, SW Ohio Director for All Aboard Ohio, told UrbanCincy. “This is the definition of pent up demand.”

Of course, there is also the financial benefit. Selling all 1,500 of the cards will net Metro $72,000 in fare revenue nearly two years before the Cincinnati Streetcar goes into operation.

The news comes as Believe in Cincinnati, the grassroots coalition that formed a year ago to save the project from cancellation, has organized a press conference to announce a broad new coalition of organizations and community leaders urging for the expansion of the streetcar system to Uptown.

“While we must celebrate the success we have had over the past year with construction of tracks in the OTR loop nearing completion and the downtown loop well underway, we must also be looking forward,” explained Ryan Messer, Founder of Believe in Cincinnati.

The path forward, evidently, goes uptown, and not to Northern Kentucky even as leaders there are calling for an expansion of the system south across the Ohio River.

“As of today, we still do not have an official plan in place for our uptown expansion that will link downtown and OTR to the University of Cincinnati and the uptown neighborhoods,” Messer wrote in an email. “We are ready to ignite these conversations and be prepared to implement these plans into action.”

The growing support for an uptown expansion comes at a time of large investment occurring along the initial starter line – investment that many streetcar supporters are crediting for the $18 million budget surplus at City Hall in 2014, and the rosy tax receipt estimates for 2015.

“Imagine what the impact will be when we connect Cincinnati’s core, with its 40,000 jobs and growing residential population, to the 30,000 jobs and 40,000 students in the uptown neighborhoods,” Bauman exclaimed. “This vision is as exciting as it will be transformative for the City of Cincinnati.”

The Believe in Cincinnati press conference will be held at the corner of Race and Elder Streets, near Findlay Market, and where track stub has been constructed for the accommodation of a future uptown extension. Organizers say the event will take place at 10am and will show off the new, expanded coalition of streetcar supporters urging for its expansion.

 

UC’s Niehoff Urban Studio Takes Bold New Look at the Future of Burnet Woods

On December 4, the University of Cincinnati Niehoff Urban Studio hosted an end of the semester open house to showcase the final work of students in graduate planning, civil engineering capstone, and a multi-disciplinary freshman UC Forward seminar.

There were three classes offered at the Studio, located in Corryville, during the Fall Semester that focused on understanding and improving Burnet Woods. The aim, course leaders say, was to begin to produce a future vision for the 89-acre park.

City officials first began discussing an overhaul of Burnet Woods in 2007, but a lack of funding at the time doomed the project. However, Mayor John Cranley (D) made the project a priority in his inaugural State of the City Address, saying that the park, located immediately north of the University of Cincinnati’s main campus, could help make the uptown area an even greater destination.

“Burnet Woods is an underutilized gem in our parks system,” Cranley said in a statement. “It’s nice now, but it could be great.”

That caught the attention of UC President Santa Ono, along with the Uptown Consortium who requested that the studio work on the subject in consultation with community representatives and other stakeholders uptown. In addition, staff of the Cincinnati Park Board, who have sole control over what will happen with the park, have been engaged with the studio throughout the semester.

A large crowd showed up at the open house, held two weeks ago, to take a look at the visuals and learn about the observations and initial recommendations produced by the students for the roughly 142-year-old park.

After identifying various issues with Burnet Woods, as it stands today, the students proceeded to “rethink” the space and its uses. Nine teams of graduate Planning students organized their work around distinct thematic approaches to remaking the park. These themes included integrated Art Programming, a Health/Wellness destination, a food production system, a center for “fun” programming, and others.

Some of the many specific recommendations included creating seasonal programming, creating a soundscape as a placemaking tool, inserting a winding promenade to connect UC Main Street with the Ludlow Business District, elevating Martin Luther King Drive to allow for Burnet Woods to flow through underneath it into UC’s main campus, among others.

Some of the student teams extended the scope beyond the park by suggesting a cohesive streetscape experience extending from Burnet Woods and re-imagining the park as the center of an Uptown “eco-district” to create a broader ecological and social system.

One of the benefits of the studio course offerings came from engaging both planning and engineering students. As part of the course’s focus on building healthy and resilient places, civil engineering students proposed a number of green infrastructure ideas to help with stormwater runoff and combined sewer overflows, and other technical projects.

Additionally, according to Frank Russell, Director of the Niehoff Studio and Community Design Center, the multi-disciplinary UC Forward freshman seminar was able to survey the student body to determine its interest in the park and ended up proposing a student organization dedicated to providing advocacy and service to the park.

Russell says that this is only the beginning, with additional courses in Planning, Architectural Engineering, Civil Engineering, and Horticulture to come in the Spring Semester that will build on the ideas and research completed thus far. The hope, he says, is to create a well-grounded set of ideas that will make up the contents of an ‘idea book’ for use by the community in considering the future of Burnet Woods.

Other faculty involved in the Fall Semester included Vikas Mehta and Danilo Palazzo from the School of Planning; Richard Miller and Elizabeth Devendorf from the Civil Engineering Program; and Cory Christopher from UC Forward. Those interested in viewing the student work in detail may do so by appointment at the UC Niehoff Urban Studio, located at 2728 Vine Street, by emailing design.center@uc.edu.

Check Out These 14 Amazing Images of Cincinnati’s Inner City Neighborhoods

The first part of this two-part series proved to be very popular. While last week’s edition focused on aerial photographs of the center city, this week’s collection looks at neighborhoods just outside the city center.

As previously noted, Brian Spitzig is studying urban planning at the University of Cincinnati and is an occasional contributor to UrbanCincy. He recently took a flight over the city to capture these photographs.

We went through hundreds of photographs that he took and selected some of the best for you. The following 14 photographs capture views of the West End, Queensgate, Corryville, Mt. Auburn, Mt. Adams, Clifton Heights, Walnut Hills and University Heights.

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If you like what you see here, you can follow Brian Spitzig on Instagram.

Will a new UC Neuroscience Institute be first ‘Knowledge Cluster’ investment at MLK Interchange?

There has been a lot of hype about what will or will not happen with the land surrounding the new MLK Interchange. Just earlier this year city officials and Uptown leaders began discussing the early concepts of what they believe will become a hub of medical research and technology facilities that would transform the area. Will a major donation to build a new state-of-the-art neuroscience center be the initial spark? More from The Enquirer:

Mueller and institute Director Dr. Joseph Broderick said their hope is that the gift, the foundation’s largest ever, pushes the institute into the front ranks of neuroscience and makes Cincinnati a world center in the study of the brain and nervous system.

After much research and travel around the country to study other neurological care facilities, the institute – along with university and UC Health leaders – crafted a proposal for a new building to centralize institute functions, now scattered across the UC campus. The gift also will expand research, Broderick said, with patient care at the center.

Cincinnati Dronescape is a Soundtrack of the City and the Sounds That Define It

Cincinnati has a rich history in music production, and recently it has become more of a hotbed for live performances. In addition to that, there are a number of well-known local or locally started musicians out there making the national rounds these days.

A new mashup project, however, is a bit of a change of pace from all of that.

Cincinnati Dronescape is the brainchild of Isaac Hand, and is a bit of an experiment involving art, music, technology and the city.

Hand worked with his friend Nick Denlinger to record what they thought were quintessential sounds from around the city. This included recordings from more than a dozen locations including the sound of the Western Hills Viaduct, Queensgate Railyard, Christian Moerlein Brewerythe hum of the University of Cincinnati Medical Center. From there, they then distributed the audio recordings to local musicians who them composed music to complement those sounds.

One of the interesting components of the project, aside from it recording background city sounds, is the fact that Hand and Denlinger recorded the sounds by using drones.

“The results are simultaneously a representation of the diversity of the Cincinnati music community, but also an aural portrait or sonic map of the city,” explained Hand.

Long-time readers of UrbanCincy may remember Hand from a project he helped champion in 2010 called Aural Grid, which was a “musical-spatial exploration” through Over-the-Rhine. Many of the artists involved with that project, Hand says, were also involved with Cincinnati Dronescape.

“Although I curated it, this really was a community endeavor,” Hand emphasized. “It took a whole bunch of people to make it possible.”

The community description is an apt one with roughly a dozen musicians contributing directly to the effort. In addition to that, Ian Gullett mixed everything into a cohesive recording, Arthur Brum produced the album artwork, and Micah Freeman composed the poem used for linear notes.

Nick Swartsell, who has grown increasingly fascinated by the history of the West End and its Kenyon Barr neighborhood, has even been working on a visual component to complement the track he contributed for the album.

It actuality, there are two albums available for streaming or purchase. The first, entitled Cincinnati Drones, is an album of the recorded sounds, while the second, entitled Cincinnati Dronescape, is the collection of artist remixes of those sounds.

Both albums can either be downloaded online for $7, or purchased in CD form for $10 on the project’s bandcamp webpage, Shake It Records, Everybody’s Records, Rock Paper Scissors and Torn Light.