Arts & Entertainment

‘Cincinnati From Devou Park’ captures new urban b-roll for Queen City

By ―

Every so often the UrbanCincy team strolls through the interwebs to find out what kinds of video content people are producing about Cincinnati in the digital age. It turns out that the overwhelming majority of that content is commercial in nature, but every once in a while we find some good old fashion urban b-roll.

One of the most recent items we came across is Cincinnati From Devou Park by Michael Toffan. The nearly three-minute video slowly pans about the views from one of the region’s most popular vantage points. It is a slow and methodical video set to the song ‘Every Woman’ by Stephan Baird.

The video expectedly captures the views of downtown Cincinnati and Covington, but it also intimately showcases ongoing construction at The Banks (0:33), the aging Brent Spence Bridge (0:53), and barge traffic on the Ohio River (2:05).

World’s first game-sourced film to debut in Over-the-Rhine next Saturday

By ―

The 2011 MidPoint Music Festival (MPMF) ended nearly five months ago, but one of its products is about to have a major impact on the neighborhood it calls home. On Saturday, February 25, Possible Worldwide and Cincinnati-based Ripple FX Films will hold a world premiere of what is believed to be the first-ever, game and crowd-sourced film.

Radius: A Short Film gathered its material at last year’s MPMF when festival-goers used the SCVNGR smartphone application. Those who played the game helped to create its content. Since that time, the production team has worked together to produce the film in partnership with the Greater Cincinnati & Northern Kentucky Film Commission.

According to the production team, content for the film also came from the Emery Theatre’s 11.11.11 opening event and a Final Friday on Main Street.

The film will debut at Memorial Hall (map) from 7:30pm to 11pm on Saturday, February 25. Tickets can be purchased online until 12pm on Thursday, February 23 or at the door the day of the event for $25. Event organizers say that it will include a champagne reception, comments from the producers and filmmakers, food, drink and what is being called a “red carpet experience.”

Those who would like to find a cheaper way into the event are in luck. UrbanCincy will be giving away two free tickets to one lucky person who best answers “What Is Radius?” to them. Feel free to be creative and do response videos, photos, cliché memes, or simply submit a written entry.

We will take those submissions via email, comments on this post, or through any of our social media outlets until midnight on Sunday. The winner will be contacted (please include an email or phone number where you can be reached) on Monday and instructed how to get their free tickets for the Saturday event.

New tilt-shift video captures University of Cincinnati’s award-winning campus

By ―

While tilt-shift photography has started to take root in Cincinnati, tilt-shift videography has yet to really take off. That is until now.

Brian Spitzig has produced a tilt-shift video showcasing the uptown campus of the University of Cincinnati. The two-minute video takes viewers all over the university’s main campus, and highlights some of its immediate surroudings including Corryville and Clifton.

The most dynamic parts of the video show off the university’s internationally acclaimed campus features – most notably Main Street (1:15) and McMicken Commons (1:28). The short video is set to Coldplay’s Paradise which has its chorus play triumphantly over these dynamic scenes of campus life at the University of Cincinnati.

Most notably absent from the University of Cincinnati Tilt-Shift video were any scenes from Campus Green, the College Conservatory of Music, Herman Schneider Quad, or the campus’ southern Clifton Heights border.

A revitalized Washington Park intends to serve as historical, cultural bridge

By ―

This Friday hundreds of people will gather at Memorial Hall to celebrate the groundbreaking of the Cincinnati Streetcar. Appropriately so, the event will take place in the city’s oldest neighborhood and right outside of Washington Park which has long served as a prominent landmark within the region’s urban core.

Cincinnati is changing, and as a city with a prominent history, Cincinnati is working to reconnect with its past during this process. But the people are not the same as they were in the past. There are new faces and a new culture.

At the center of this change is the redevelopment of Over-the-Rhine. From the remodeling of Italianate brownstones to the renovation of Music Hall this change can be seen everywhere. However, no change has been as significant, both in scale and in reconnecting with the significance of the past as the $48 million renovation of Washington Park.


Cincinnati’s majestic Music Hall overlooks Washington Park. Photograph by Randy A. Simes for UrbanCincy.

In 1888, Washington Park hosted the Centennial Exposition of the Ohio Valley and Central States. With the newly created Music Hall illustriously lining Elm Street, Washington Park, only 33 years old at the time, showcased progress the Northwest Territory and city of Cincinnati had made in a century’s time. The exposition presented the urban development of a thriving city, and the economic and social progress of the United States, to the rest of the nation.

It has been a long time since 1888, and in 2010 the Cincinnati Center City Development Corporation (3CDC) began upgrading Washington Park to meet the needs of a changing urban core. The park’s historical significance has been on the mind of the developers since the very beginning.

“Everything we do is greatly influenced by history,” 3CDC Vice President of Communication, Anastasia Mileham, told UrbanCincy. From Civil War cannons to head plaques from the Presbyterian cemetery that once occupied the site; the renovated park will be filled with artifacts and reminders of the past.

Project officials say that the changes taking place at Washington Park are about more than just nostalgia, however, and will serve to help advance the urban revitalization taking place in Over-the-Rhine.


Construction work progresses at Washington Park in November 2011. Photograph by Randy A. Simes for UrbanCincy.

“This will be a great civic space similar to Fountain Square,” Mileham explained. “Once finished, the park will have the potential to be the heart of the community as it once was.”

The people who make up Cincinnati have also changed greatly over the past 124 years. Today Over-the-Rhine is the definition of a multigenerational and multiethnic district. With a two-acre expansion, an underground parking garage, an interactive water fountain, and a grand performance stage, the new Washington Park will seemingly be a place for individuals and families alike – a reflection of the changing neighborhood.

“If you want to stroll through the park, walk your dog in the fenced in dog park, or listen to the CSO perform on a Sunday evening, then Washington Park is for you,” Mileham said, “It has features for everyone, and will make a mixed neighborhood in every sense of the word.”

As Cincinnati changes, so too does our understanding of its history. Washington Park is in part a monument to the past. It is a monument to what Cincinnati once was. But as the city takes on new shapes and sizes, and becomes increasingly diversified, Washington Park will also serve as a bridge. A cultural connection and a monument to what Cincinnati has become.

Cincinnati’s ‘Urban Walls’ movement looked to spark thoughtful design

By ―

Cincinnati, like Philadelphia, is known for its impressive collection of murals throughout the city. Today the effort is primarily led by ArtWorks who looks to connect youth with professional artists, but at one point local business leaders led a progressive initiative to engage graphic designers to do the work.

The two individuals who really spearheaded the effort were Carl Solway and Jack Boulton, and they selected ten designers to do unique murals on ten different walls throughout downtown Cincinnati. The idea was to create thoughtful designs for urban walls that had otherwise been forgotten.

One of the murals is still visible today along the south side of Seventh Street, between Vine and Race. The problem, the designer noted, was that he did not think about motorists heading west to east, and not east to west, and therefore left his mural unseen by only those on the street itself.

A series of well-produced videos highlights the urban walls movement that took place throughout downtown Cincinnati in the 1970s. This is the video for the urban wall mural, entitled Allegro, still present along Seventh Street.

Tolzmann breaks from historical analysis in latest Over-the-Rhine book

By ―

Don Heinrich Tolzmann with his latest book. Photograph by Emily Schneider for UrbanCincy.

Few native-born Cincinnatians know as much about the history of this city as Don Heinrich Tolzmann, originally of Minnesota. The former University of Cincinnati professor, and president of the German-American Citizens League of Greater Cincinnati, has written numerous tomes on Cincinnati history. His most recent book is for tourists and locals alike: Over-the-Rhine Tour Guide.

In contrast with most of his other work, this book is focused on the OTR of today, not decades past. Tolzmann says the reason for the change of style is due to the many requests he received to give tours of the historic neighborhood.

“Understanding Over-the-Rhine is the key to understanding the city,” Tolzmann told UrbanCincy.

In Over-the-Rhine Tour Guide, Tolzmann carefully describes nearly every block of the neighborhood, from its southern border of Central Parkway up to the Brewery District, and everything in between. Using buildings and streets as a framework, the guide carefully describes the architecture of the neighborhood.

Historical details are provided for each place, and changes that have occurred over the years are noted as well. Several historic poems, in German and English, connect the text to the old country.

The book delineates outlying areas where German immigrants lived, including Clifton and the West End. The book also serves as a literal guidebook, with directions for walking or driving throughout the neighborhood, and traveling between each of the landmarks described.

While considerable demolition has damaged parts of Over-the-Rhine’s historic urban fabric over the past several decades, the area remains dense and beautiful.

“Over-the-Rhine still contains one of the most comprehensive collections of buildings built by Germans for Germans, especially in the popular Queen Anne and Italianate styles,” said local historian Betty Ann Smiddy. “To walk the streets now you can feel yourself drifting back in time and can envision all that the neighborhood once was.”

Over-the-Rhine Tour Guide, can be purchased at local bookstores and through online through Little Miami Publishing. With its photographs and clear descriptions, the book serves as a useful companion for a neighborhood stroll. But for those visitors wanting a quick survey of the neighborhood, here are Tolzmann’s top three attractions:

Findlay Market: “Get a feeling for the neighborhood. The sausage, cheese, bread, fruit and vegetables are sold in an open-air market like you’d find in Germany.”

Germania Building (12th and Walnut): “Symbolizes German heritage in Over-the-Rhine, devotion to culture and history of Germany.”

Washington Park Area: “Surrounded by institutions like Music and Memorial Halls and six German churches, this area shows the musical impact, military service in wars, and religious influence in Over-the-Rhine.”

Airport officials should pay local artists to fill CVG with music

By ―

Violinist at Findlay Market

As many of you may know by now, Cincinnati will be hosting the 2012 World Choir Games. It is a marque event for the region, and will mark the first time the international event has been held in North America. Tens of thousands of people from around the world will converge on Cincinnati, and regional leaders are looking to impress.

The ideas have ranged from installing multilingual signs throughout the center city to branding a new city slogan all around town in time for the visitors. What is important is that city leaders do not view this event as a singular excuse to debate these types of improvements, but rather as an event that allows Cincinnati to looks at itself from the outside in and implement new ideas that will leave a lasting impact long after the final choir leaves town.

Cincinnati does in fact have a long history with music and the arts in general. It is one of the major reasons why the World Choir Games selected Cincinnati as its 2012 host, and this fact should be celebrated. Cincinnati leaders should look at ways to engraining more of the arts, and music in particular, into our everyday lives.

ArtsWave does a great job at this, and does so at a regional level. But after a flurry of recent travels I had an idea for Cincinnati that should be put in place in time for the World Choir Games, and stay in effect permanently.

The Cincinnati/Northern Kentucky International Airport should pay local muscians to play within its facilities. Inside the concourse tunnel, inside Concourse B, and near baggage claim.

Traveling can often be a stressful experience, especially international travel. On a recent trip to Chicago, I was pleasantly surprised to be greeted by violin and guitar musicians after an otherwise unpleasant flight and arrival experience. The moment, while simple, was profound. I felt relaxed and welcomed to Chicago – something all travelers hope to encounter upon their arrival.

To avoid the ‘bum on the street’ perception, airport officials should ask that musicians not leave open their instrument cases for tips, and simply pay the musicians an hourly rate. In my opinion, this would go much farther towards welcoming visitors to the Cincinnati region than any inanimate piece of art could ever do. At the same time, it would provide a reliable opportunity for local musicians to perform and get paid doing it.

Cincinnati should take advantage of the World Choir Games far beyond the immediate $73.5 million economic impact that it is estimated to generate. Most importantly, leaders should not get too caught up in those short-term impacts that they miss out on creating long-term benefits for the region.

DISCLOSURE: Jenny Kessler is a regular contributor to UrbanCincy and serves as the website’s operations manager. Kessler also works professionally for ArtsWave, but had no input or association with this article. The opinions expressed in this article are solely those of Randy A. Simes, and do not necessarily represent those of ArtsWave.