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INFOGRAPHIC: The Abandonment of Cincinnati’s 1914 Subway and Rapid Transit Loop

Cincinnati’s abandoned rapid transit project is a subject of continual interest. Although many are familiar with the unused two-mile tunnel beneath Central Parkway, little remains of the ten miles of surface-running right-of-way built in the mid-1920s between Camp Washington and Norwood.

This graphic by Andy Woodruff, from the UW-Madison Department of Geography, illustrates which sections of the so-called Rapid Transit Loop were built, which parts were replaced by expressways, and which parts were planned but not funded and built.

Cincinnati Subway System

So why was the Rapid Transit Loop started but not completed?

The project had several forces working against it, especially wealthy Downtown landowners who stood to lose money and influence if the city’s most valuable property shifted from Fountain Square north to Central Parkway. The likelihood of that happening was heightened by the Rapid Transit Commission’s decision to forego construction of the Walnut Street Subway as part of the project’s first phase.

Those who owned property lining Central Parkway knew that construction of a tunnel under Mt. Adams, linking the Loop’s never-built eastern half, would likely cost less than construction of the Walnut Street Subway and cause the loop’s traffic to bypass the city’s established epicenter entirely.

The second interest acting to scuttle the subway project was the consortium of seven steam railroads that commenced construction of Cincinnati’s spectacular Union Terminal in 1929.

An ancillary feature of the Rapid Transit Loop was its intention to serve the area’s electric interurban railroads at a multi-track terminal centered beneath the intersection of Race Street and Central Parkway. The interurban terminal’s more convenient location promised to erode the redundant services of the steam railroads.

Editorial Note: In addition to focusing on UrbanCincy’s transportation coverage, Jake authored a book about Cincinnati’s infamously abandoned subway and rapid transit project. First published in 2010, Cincinnati’s Incomplete Subway: The Complete History is considered to be the most comprehensive analysis of the events leading up to and after one of the city’s most notorious missteps.

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Arts & Entertainment Business Development News

New Artist Live/Work Homes Coming to Covington’s Lee-Holman Historic District

The Center for Great Neighborhoods (CGN) will celebrate the completion of Covington’s first of five affordable artist live/work spaces later this month. The artist residence project Shot Gun Row is named for the project’s five shotgun-style houses being rehabbed and developed by the Covington-based nonprofit organization.

Shot Gun Row is made up of five row houses on Orchard Street in Covington’s Lee-Holman Historic District. The houses were originally part of seven homes built in the late 1800s. After World War II, shotgun homes were seen as functionally obsolete and abandoned in favor of the modern ranch home, but Kentucky historic guidelines prohibit Orchard Street’s five remaining houses from being torn down.

The Center for Great Neighborhoods, which has completed over 25 historic renovations in the city nestled along the Ohio and Licking Rivers, said they looked at the houses as a unique opportunity to re-purpose the existing houses and help revitalize Covington’s west side.

In 2012 CGN was awarded a $168,000 grant for the project from the Kresge Foundation. Construction on the first house began last summer; the other four homes will be completed by summer 2014. The total project cost is around $600,000 for all five houses. According to Sarah Allan with CGN, most of the live/work spaces available to artists are only available for rent.

“We wanted to provide something [artists] could build equity in that was either the same as or cheaper than their rent,” Allan said. “Part of it is we want to lower people’s overall overhead. If they can live and work in the same space for cheaper, then it might help them to further their art.”

Shot Gun Row’s artist selection policy broadly defines an artist as “an individual who has seriously committed themselves to professional production of their respective art form (i.e. exhibitions, performances, screenings, grants, publications, reviews, commissions, peer recognition),” and earn at least 20% of their income from art.

This flexible definition allows applicants to include tattoo artists, graphic and interior designers, chefs, musicians and set designers in addition to traditional fine artists like sculptors, painters and photographers. It also helps that Shot Gun Row’s developers are able to customize the home’s layout depending on the artist’s needs.

“We recognize that artists want to have some creative say in their living space so we want to provide that flexibility,” Allan explained.

Shot Gun Row’s model home at 323 Orchard Street is laid out so that the studio is located in the front of the house so that it is accessible to the street for art openings and meetings, and also receives northern light which is attractive to many artists. In other homes, an artist could work with the contractor to develop the floor plan as an open studio or place the kitchen in the front of the house, depending on the homeowner’s needs.

While the development will offer affordable, flexible housing for artists, CGN also wants the project to encourage artists to get involved with their community. As part of Shot Gun Row’s artist selection policy, artists are required to contribute something back to the community within a year of purchasing the home, and will work with CGN staff to determine a specific project, whether it be a public sculpture, theater camp, or something else. A sculptor, for instance, might create a piece for Shot Gun Row’s public sculpture garden.

In addition, artists are expected to participate in SpringBoard, ArtWorks’ business development program for creative entrepreneurs, unless they have run a profitable arts-related business for more than three years.

“We’re looking at this not just as a housing projection but an economic development project,” Allan told UrbanCincy.

The market price for a home on Shot Gun Row is $90,000, though Allan said that some homeowners may receive a subsidy depending on income. The City of Covington also offers down payment assistance for anyone purchasing a home in Covington.

In addition to the Kresge Foundation grant, the project received funding through a combination of  U.S. Department of Housing & Urban Development HOME Investment Partnerships Program and Community Development Block Grants, and private contributions.

All photographs by Chris Kromer for UrbanCincy.

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Business Development News

$7.8M Renovation of Historic Pabst Bedding Warehouse to Start This March

The Cincinnati Center City Development Corporation (3CDC) plans to begin a $7.8 million renovation project at the northwest corner of Twelfth and Walnut Streets this March.

The project received a critical boost in late December when the Ohio Development Services Agency (ODSA) awarded a $778,000 Historic Preservation Tax Credit to 3CDC.

Officials with ODSA say that the project received the tax credits because it was financed, showed a good return on investment, represents a building of significance to the neighborhood, and is ready to move forward immediately.

“The project was funded because it scored well within our criteria,” explained Stephanie Gostomski, Public Information Officer with ODSA. “Also, this is one of the newer structures that contributes to the significance of the Over-the-Rhine Historic District and will retain its warehouse and industrial character upon conclusion of the project.”

Due to the building’s relatively good condition, 3CDC officials say that they expect construction work to take several months and hope to move into what will become the development corporation’s new headquarters this summer. Once complete, 3CDC will occupy 12,000 square feet of the building’s office space, while another tenant will use the remaining 6,000 square feet of office space.

As 3CDC’s success in Over-the-Rhine has mounted, its staff has grown along with it – now with 50 full-time employees and 43 seasonal workers. But 3CDC officials say they are not the only ones placing a premium on office space in the city’s largest historic district.

“There is a lot of demand for larger floor plates with more square footage, and there are plenty of smaller office users,” explained Anastasia Mileham, Vice President of Communications at 3CDC. To that end, Mileham says that the final product will include open floor plans and will reopen the large windows on the building’s north façade.

As part of the move 3CDC will be vacating their existing office space on Race Street near Washington Park. Due to the strong demand for office space, Mileham did not express concern over filling that space and informed UrbanCincy that they are currently finalizing a lease for a new tenant.

In addition to the 18,000 square feet of office space, the prominent warehouse building will also include 9,000 square feet of street-level retail space

The building is one of the largest single structures in Over-the-Rhine south of Liberty Street and was originally a warehouse for Pabst Bedding. The structure then had been used by Society National Bank and later Fifth Third Bank before it was abandoned in the early 2000s.

According to Hamilton County property records, the Art Academy of Cincinnati then purchased the building in 2007 for $450,000 when it relocated its school to Over-the-Rhine, but never utilized the space. The 84-year-old structure was finally sold to 3CDC in September 2013 for $550,000.

The renovation of the Pabst Bedding Warehouse building joins an increasing amount of historic building renovation work along Walnut Street including a frenzy of work for Mercer Commons just to the north, and the renovation of a storefront diagonally across the street to make way for a new beer café called HalfCut.

“The Ohio Historic Preservation Tax Credit strengthens local communities by restoring a piece of its history,” David Goodman, director of the Ohio Development Services Agency, stated in a prepared release. “These projects help enrich cities across Ohio, preserving the character and charm of buildings that may have otherwise been demolished.”

Photographs by Randy Simes for UrbanCincy.

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Arts & Entertainment News Politics

William Mallory, Sr.’s Legacy Will Live on Through Family, Record and Monument

We lost a legendary Cincinnatian on Tuesday when William Mallory, Sr. passed away at the age of 82.

Mallory’s political history is profound and sparked a political empire that continues to this day through his five sons who have all continued the family business of politics. You can learn more about the Mallory family, and how William Mallory, Sr. got his start early on in the West End, in this great feature published by The Enquirer.

While the legendary 28-year state representative had been out of that seat since 1994, he continued to make an impact locally. One of his most recent contributions was the Black Brigade Monument at Smale Riverfront Park.

According to the Cincinnati Park Board, it was the Honorable William Mallory, Sr. who inspired the creation of the monument in order to ensure that the story 718 heroes from the Civil War was preserved.

“Upon reading about the experiences of Cincinnati Black Brigade several years ago, Mr. Mallory recognized the story as a rich tapestry—woven with timeless lessons of courage, the search for justice, the scourge of bigotry, and the value of human life and dignity that still speak to us today in the most profound ways possible,” Park Board officials stated in a prepared release.

The monument now stands within the first completed phase of Smale Riverfront Park near where Main Street (Joe Nuxhall Way) terminates at Mehring Way. It was completed in September 2012 and serves as a primary feature of the city’s landmark park.

The Cincinnati Park Board was kind enough to provide us with a video detailing the history of the Cincinnati Black Brigade that includes detailed explanations from William Mallory Sr. as to why the monument is important.

“Late 19th century Cincinnati educator Peter Clark was commissioned by the Black Brigade to document their story. This historical account made it clear to me that the Brigade wished for future generations to know about their contributions to the Defense of Cincinnati,” Mallory explained at the monument’s dedication just over one year ago.

“Having worked for a decade towards creation of a monument to their memory, I am pleased that its design and placement has been led by the Cincinnati Park Board and Cincinnati Parks Foundation. This monument secures Cincinnati’s Black Brigade its proper place in history.”

It is certainly cold outside, but if you have yet to visit the Black Brigade Monument, this is probably a good time to go and experience it for yourself. Perhaps even thank Mr. William Mallory, Sr. for his inspiration and leadership on the matter while you’re there.

There will also be a public service held at the Museum Center at Union Terminal on Sunday, December 22. Those who are interested in attending the celebration of William Mallory, Sr.’s life may do so by submitting an RSVP online.

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Business Development News

VIDEO: Next Phases of 45-Acre Smale Riverfront Park Taking Shape

Hopefully you are ready to learn all about support structures and geothermal, because the latest video update for the $120 million Smale Riverfront Park goes into great detail about both topics. It also reveals some new information about upcoming features at the park.

The first half of the 13:30 video focuses on the intricate details involved with some of the most mundane work taking place at the site. Project manager Dave Prather does a good job, however, at illustrating just how important that work is.

The more intriguing pieces of information are saved for the second half of the video. During that portion, Prather reveals details about the fog feature at the Heekin/PNC Grow Up Great Adventure Playground, which is scheduled to open to the public in spring 2014.

Prather also discusses that the Cincinnati Park Board has control of the anchorage under the John A. Roebling Suspension Bridge. Dating back to the Civil War, the inner structure, he says, will be opened to the public in some way. Details have not yet been finalized for how they will utilize the area, which is in the flood plane, but Prather expects to be able to make an announcement in time for the next video update.

City and park officials aim to complete the 45-acre central riverfront park by mid-2017, assuming all remaining financing falls into place.