Gallery to Highlight How People Use Space

Space, the final frontier… This famous phrase immediately evokes thoughts of stars and interplanetary travel, but there is a more common type of space that we navigate every day. That space, or the creative utilization of space in the built environment is the highlight of a new gallery exhibit at GBBN Architects’ EDGE Gallery this Friday.

The exhibit titled, “’C’mon Space! Whatcha Gonna Do For Me?” features the work of GBBN in researching common space through pop-up public space interventions. The exhibition will include a collection of diagrams, video, imagery, digital and physical models that summarize the findings of the research; a chronicle of the journey of our research project; and present the successes and failures of typical common space.

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The idea to focus on how people interact with spaces is the evolution of a project that began in September 2016 with GBBN’s annual participation in PARK(ing) Day. PARK(ing) Day is an international event where individuals and groups take over public parallel parking spaces for a day and transform them into miniature parks called “parklets.” UrbanCincy has covered this event over the years.

Initially PARK(ing) Day was used as a vehicle to perform initial research on how people use and respond to pop-up lounge seating. After this years’ event, the firm continued the research by creating a series of pop-up interventions that presented other seating options and interactive exhibits and observed how people interacted to the options.

The EDGE gallery is a place to share GBBN’s research and participate in local design dialogue. The gallery name was inspired from the meaning of an ‘edge condition,’ which occurs where two or more distinct realms overlap and interface to create a unique situation. Conditions such as these allow for fertile and creative thought, and elicit unique challenges and opportunities to create lively discussions.

The exhibition will be held at the EDGE Gallery located at 332 East 8th Street in the 8th Street Design District from 6pm-9pm on Friday December 2. A Cincy RedBike station is conveniently located across the street. The gallery is also located along the #11, #16, and #64 Metro Bus routes and is two blocks from the 8th and Main Cincinnati Bell Connector stop.

Free and Cheap Things To Do in Cincinnati This Holiday Season

It may be getting cold outside but there are still plenty of great things going on for the Holidays and through Winter in the urban core and around the region. Bridgett Raffenberg at 365 Cincinnati has a comprehensive breakdown of things to do that are fun and won’t break the holiday budget. More at 365 Cincinnati:

It may be cold and it may just snow…. perhaps a few of these fun free and cheap winter things to do in Cincinnati will help you get out and enjoy our fine city!

 

ArtsWave Announces Recipients of $10.4 Million in Grants

ArtsWave finalized their list of grants to arts organizations throughout the region last Friday. This year’s distribution doles out $10.4 million to 35 different local arts organizations, ranging from $12,500 for the Contemporary Dance Theater to $3,020,000 for the Cincinnati Symphony Orchestra.

In addition to what ArtsWave calls their impact grants, they also distributed $435,000 for small project grants and strategic local partnerships.

The money comes from a fund that ArtsWave officials say is the largest of its kind in the United States, distributing more than $50 million to regional arts organizations over the past five years.

“ArtsWave’s grants are a differentiator for Greater Cincinnati,” Mary McCullough-Hudson, ArtsWave’s outgoing CEO, stated in a prepared release. “It is absolutely unique for a region this size to have an annual infusion of more than $10 million in its arts sector each year, creating both a stabilizing and a catalyzing effect for organizations and arts-related activity that have unexpected benefits for the community.”

The organizations and projects that were awarded money, officials say, were selected based on the input of grant making committees that evaluate submissions and determine the amount of money to be awarded to each applicant.

The average grant amount awarded this year was approximately $250,000. The Cincinnati Art Museum ($1,635,000), Cincinnati Symphony Orchestra ($3,020,000) and Cincinnati Playhouse in the Park ($1,210,000) were the only organizations to receive grants in excess of $1 million. When removing those outliers from the equation, the average drops to about $110,000.

Other large recipients include the Cincinnati Opera ($935,000), Cincinnati Ballet ($850,000) and Contemporary Arts Center ($405,000).

The money for these grants comes from an annual fundraising effort, which yielded a record amount last year of more than $12 million. In addition to supporting the numerous organizations and projects, the money also goes to support shared service operations arts organizations throughout the region, like board training, volunteer programs and fundraising expenses.

“Our region’s residents support this campaign because they see every day how the arts bring people together,” said Karen Bowman, Chair, ArtsWave Board of Trustees and Principal, Deloitte Consulting.

In addition to these grants, ArtsWave officials also announced that they would be awarding $45,000 to designated community revitalization organizations in Price Hill, Madisonville, Covington, Avondale and Walnut Hills as part of LISC-Cincinnati’s Place Matters campaign. Those funds, they say, will be used to support community-building arts programs in those neighborhoods.

“Successful creative placemaking is about the impact of local arts on people in these neighborhoods,” explained Kathy Schwab, Executive Director, LISC of Greater Cincinnati & Northern Kentucky. “This exciting partnership with ArtsWave will help fuel community engagement and pride in the five Place Matters communities.”

Red Door Project to Debut Pop-Up Art Exhibit at Final Friday

Art sometimes has the effect of bringing people together. Sometimes it opens avenues for new connections and experiencing new things. Ten years ago, local artists were challenged to create a piece of art centered on a red door. That event a decade ago led to the beginning of close friendships that endure today.

That is the story gallery founder, Barbara Hauser, tells regarding that original Final Friday event in 2004; and while she was not leading the gallery known as The Project back then she was inspired to launch an event of her own.

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“Everyone sees art differently – and everyone deserves to have their work featured and appreciated,”  Hauser stated in a prepared release. “I’ve never considered myself an artist, but when I had the chance to see my work on display at a similar type gallery and have it purchased I realized that I wanted to create a space that celebrates the artist in all of us.”

The Red Door Project is a pop-up art exhibit that breath new life into this decade-old endeavor at the upcoming Final Friday in Over-the-Rhine on February 28.  Inspired by the idea that art is the eye of the beholder, Hauser says the gallery features artwork by dozens of Cincinnatians from many different backgrounds and walks of life.

“I’m sure everyone will interpret the theme differently. It could be a painting of a moon cycle or a photograph of a bicycle,” noted Hauser. “And really, that’s the beauty of it. You won’t know what to expect when you walk through the door, but you may find yourself walking out with a new piece of art to enjoy.”

The Red Door Project debuts this Final Friday’s festivities  at 1232 Vine Street – the storefront previously occupied by Joesph-William Home. The gallery will be open from 6pm to 10pm.

There is still time for submissions, which are due by February 22, and can be dropped off at the event location between 11AM and 3PM. This month the theme is “cycle” which is defined as a series of events that are regularly repeated in the same order.

Photograph provided.

PHOTOS: Riding the Rails in Europe

Last summer I visited several cities in Europe and photographed a few of the scenes going on across the pond. My travels took me to Brussels and Oostende in Belgium; Cologne, Germany; and to London, Cardiff and Brighton Beach in the United Kingdom. The photo set below is premised on several observations:

Quality of  city transportation: Brussels has the cleanest trams of the whole trip. These trams are Bombardier 4000 series trams delivered to the city in 2010. The seating is very comfortable, the trams feature LCD screens and wood panel finishes. Trams running underground featured the traditional turnstile system found in many other underground systems.

Cologne’s trams are older and feature on-board payment systems both above and below ground. Their system consists of two joined rail cars. In some instances such as around Neumarkt Square also use the same transit right-of-ways reserved for trains.

London’s Tube system is the largest subway system in the world. However the city also features an aerial tram known as the United Emirates Line. The tram runs continuously, unlike a similar system in Portland, Oregon, and connects London’s former Olympic Village to the O2 Centre.

Cardiff also featured rail transit, however the system was antiquated and utilize heavy diesel trains that were sometimes as small as a single rail car.

Bicycle Infrastructure: Bicycle share was available in many of the cities I visited including Brussels and London. In Cologne bicycle lanes were placed on the road side of sidewalks and were delineated with either special paint or pavers in some areas. There were similar observations in Cardiff.

Placemaking: From the Dom in Cologne to Grote Markt in Brussels, Europe is filled with beautiful community gathering spots.

Enjoy the photos!

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