ArtsWave Announces Recipients of $10.4 Million in Grants

ArtsWave finalized their list of grants to arts organizations throughout the region last Friday. This year’s distribution doles out $10.4 million to 35 different local arts organizations, ranging from $12,500 for the Contemporary Dance Theater to $3,020,000 for the Cincinnati Symphony Orchestra.

In addition to what ArtsWave calls their impact grants, they also distributed $435,000 for small project grants and strategic local partnerships.

The money comes from a fund that ArtsWave officials say is the largest of its kind in the United States, distributing more than $50 million to regional arts organizations over the past five years.

“ArtsWave’s grants are a differentiator for Greater Cincinnati,” Mary McCullough-Hudson, ArtsWave’s outgoing CEO, stated in a prepared release. “It is absolutely unique for a region this size to have an annual infusion of more than $10 million in its arts sector each year, creating both a stabilizing and a catalyzing effect for organizations and arts-related activity that have unexpected benefits for the community.”

The organizations and projects that were awarded money, officials say, were selected based on the input of grant making committees that evaluate submissions and determine the amount of money to be awarded to each applicant.

The average grant amount awarded this year was approximately $250,000. The Cincinnati Art Museum ($1,635,000), Cincinnati Symphony Orchestra ($3,020,000) and Cincinnati Playhouse in the Park ($1,210,000) were the only organizations to receive grants in excess of $1 million. When removing those outliers from the equation, the average drops to about $110,000.

Other large recipients include the Cincinnati Opera ($935,000), Cincinnati Ballet ($850,000) and Contemporary Arts Center ($405,000).

The money for these grants comes from an annual fundraising effort, which yielded a record amount last year of more than $12 million. In addition to supporting the numerous organizations and projects, the money also goes to support shared service operations arts organizations throughout the region, like board training, volunteer programs and fundraising expenses.

“Our region’s residents support this campaign because they see every day how the arts bring people together,” said Karen Bowman, Chair, ArtsWave Board of Trustees and Principal, Deloitte Consulting.

In addition to these grants, ArtsWave officials also announced that they would be awarding $45,000 to designated community revitalization organizations in Price Hill, Madisonville, Covington, Avondale and Walnut Hills as part of LISC-Cincinnati’s Place Matters campaign. Those funds, they say, will be used to support community-building arts programs in those neighborhoods.

“Successful creative placemaking is about the impact of local arts on people in these neighborhoods,” explained Kathy Schwab, Executive Director, LISC of Greater Cincinnati & Northern Kentucky. “This exciting partnership with ArtsWave will help fuel community engagement and pride in the five Place Matters communities.”

Red Door Project to Debut Pop-Up Art Exhibit at Final Friday

Art sometimes has the effect of bringing people together. Sometimes it opens avenues for new connections and experiencing new things. Ten years ago, local artists were challenged to create a piece of art centered on a red door. That event a decade ago led to the beginning of close friendships that endure today.

That is the story gallery founder, Barbara Hauser, tells regarding that original Final Friday event in 2004; and while she was not leading the gallery known as The Project back then she was inspired to launch an event of her own.

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“Everyone sees art differently – and everyone deserves to have their work featured and appreciated,”  Hauser stated in a prepared release. “I’ve never considered myself an artist, but when I had the chance to see my work on display at a similar type gallery and have it purchased I realized that I wanted to create a space that celebrates the artist in all of us.”

The Red Door Project is a pop-up art exhibit that breath new life into this decade-old endeavor at the upcoming Final Friday in Over-the-Rhine on February 28.  Inspired by the idea that art is the eye of the beholder, Hauser says the gallery features artwork by dozens of Cincinnatians from many different backgrounds and walks of life.

“I’m sure everyone will interpret the theme differently. It could be a painting of a moon cycle or a photograph of a bicycle,” noted Hauser. “And really, that’s the beauty of it. You won’t know what to expect when you walk through the door, but you may find yourself walking out with a new piece of art to enjoy.”

The Red Door Project debuts this Final Friday’s festivities  at 1232 Vine Street – the storefront previously occupied by Joesph-William Home. The gallery will be open from 6pm to 10pm.

There is still time for submissions, which are due by February 22, and can be dropped off at the event location between 11AM and 3PM. This month the theme is “cycle” which is defined as a series of events that are regularly repeated in the same order.

Photograph provided.

PHOTOS: Riding the Rails in Europe

Last summer I visited several cities in Europe and photographed a few of the scenes going on across the pond. My travels took me to Brussels and Oostende in Belgium; Cologne, Germany; and to London, Cardiff and Brighton Beach in the United Kingdom. The photo set below is premised on several observations:

Quality of  city transportation: Brussels has the cleanest trams of the whole trip. These trams are Bombardier 4000 series trams delivered to the city in 2010. The seating is very comfortable, the trams feature LCD screens and wood panel finishes. Trams running underground featured the traditional turnstile system found in many other underground systems.

Cologne’s trams are older and feature on-board payment systems both above and below ground. Their system consists of two joined rail cars. In some instances such as around Neumarkt Square also use the same transit right-of-ways reserved for trains.

London’s Tube system is the largest subway system in the world. However the city also features an aerial tram known as the United Emirates Line. The tram runs continuously, unlike a similar system in Portland, Oregon, and connects London’s former Olympic Village to the O2 Centre.

Cardiff also featured rail transit, however the system was antiquated and utilize heavy diesel trains that were sometimes as small as a single rail car.

Bicycle Infrastructure: Bicycle share was available in many of the cities I visited including Brussels and London. In Cologne bicycle lanes were placed on the road side of sidewalks and were delineated with either special paint or pavers in some areas. There were similar observations in Cardiff.

Placemaking: From the Dom in Cologne to Grote Markt in Brussels, Europe is filled with beautiful community gathering spots.

Enjoy the photos!

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New Artist Live/Work Homes Coming to Covington’s Lee-Holman Historic District

The Center for Great Neighborhoods (CGN) will celebrate the completion of Covington’s first of five affordable artist live/work spaces later this month. The artist residence project Shot Gun Row is named for the project’s five shotgun-style houses being rehabbed and developed by the Covington-based nonprofit organization.

Shot Gun Row is made up of five row houses on Orchard Street in Covington’s Lee-Holman Historic District. The houses were originally part of seven homes built in the late 1800s. After World War II, shotgun homes were seen as functionally obsolete and abandoned in favor of the modern ranch home, but Kentucky historic guidelines prohibit Orchard Street’s five remaining houses from being torn down.

The Center for Great Neighborhoods, which has completed over 25 historic renovations in the city nestled along the Ohio and Licking Rivers, said they looked at the houses as a unique opportunity to re-purpose the existing houses and help revitalize Covington’s west side.

In 2012 CGN was awarded a $168,000 grant for the project from the Kresge Foundation. Construction on the first house began last summer; the other four homes will be completed by summer 2014. The total project cost is around $600,000 for all five houses. According to Sarah Allan with CGN, most of the live/work spaces available to artists are only available for rent.

“We wanted to provide something [artists] could build equity in that was either the same as or cheaper than their rent,” Allan said. “Part of it is we want to lower people’s overall overhead. If they can live and work in the same space for cheaper, then it might help them to further their art.”

Shot Gun Row’s artist selection policy broadly defines an artist as “an individual who has seriously committed themselves to professional production of their respective art form (i.e. exhibitions, performances, screenings, grants, publications, reviews, commissions, peer recognition),” and earn at least 20% of their income from art.

This flexible definition allows applicants to include tattoo artists, graphic and interior designers, chefs, musicians and set designers in addition to traditional fine artists like sculptors, painters and photographers. It also helps that Shot Gun Row’s developers are able to customize the home’s layout depending on the artist’s needs.

“We recognize that artists want to have some creative say in their living space so we want to provide that flexibility,” Allan explained.

Shot Gun Row’s model home at 323 Orchard Street is laid out so that the studio is located in the front of the house so that it is accessible to the street for art openings and meetings, and also receives northern light which is attractive to many artists. In other homes, an artist could work with the contractor to develop the floor plan as an open studio or place the kitchen in the front of the house, depending on the homeowner’s needs.

While the development will offer affordable, flexible housing for artists, CGN also wants the project to encourage artists to get involved with their community. As part of Shot Gun Row’s artist selection policy, artists are required to contribute something back to the community within a year of purchasing the home, and will work with CGN staff to determine a specific project, whether it be a public sculpture, theater camp, or something else. A sculptor, for instance, might create a piece for Shot Gun Row’s public sculpture garden.

In addition, artists are expected to participate in SpringBoard, ArtWorks’ business development program for creative entrepreneurs, unless they have run a profitable arts-related business for more than three years.

“We’re looking at this not just as a housing projection but an economic development project,” Allan told UrbanCincy.

The market price for a home on Shot Gun Row is $90,000, though Allan said that some homeowners may receive a subsidy depending on income. The City of Covington also offers down payment assistance for anyone purchasing a home in Covington.

In addition to the Kresge Foundation grant, the project received funding through a combination of  U.S. Department of Housing & Urban Development HOME Investment Partnerships Program and Community Development Block Grants, and private contributions.

All photographs by Chris Kromer for UrbanCincy.

Elaborate ‘Around the World in 80 Days’ Production Entertains at ETC

Quite possibly the most elaborate and entertaining show to hit Ensemble Theatre Cincinnati (ETC) this year, Around the World in 80 Days takes the audience on an exotic journey with a story told through song.

Set in London in 1899, the precisely punctual and clever Phileas Fogg wagered his life savings on a bet that the world was able to be circumnavigated in 80 days. Between boarding trains and steamships, Fogg and his witty French butler, Passepartout, dodge bandits, stampedes, and the thick of the jungle all while being pursued by the British police.

Will the race against the clock defeat them from a timely journey to win their bet?

The production marks the largest cast to take the stage at ETC in recent years. Seventeen actors filled the intimate stage with the grace and grandeur of a national Broadway show. Familiar faces return from past shows, including powerhouse vocalist Torie Wiggins and her co-star Annie Fitzpatrick from Black Pearl Sings. In a vast contrast to the solemn production of The Whipping Man, lead actor Ken Early delighted the audience with his portrayal of Phileas Fogg, who was filled with optimistic perseverance.

The incredibly interchangeable set design transformed, in a matter of moments, and created vehicles from hot air balloons to trains, ships and elephants. In addition to the actors, puppeteers were incorporated as animals in a variety of scenes.

Of course, it would not be a musical without claiming a favorite song. Torie Wiggins, who played supporting character Aouda, a rescued Indian princess, performed a soulful and inspiring “Strong Wind, Strong Woman” as she intuitively guided a sailboat for a nearly defeated Phileas Fogg.

Around the World in 80 Days was one of Ensemble Theatre’s first commissioned musicals, with its last performance taking place 13 years ago.

There are 13 more scheduled performances, including a show at 7pm today. The final performance is scheduled to take place at 2pm on Sunday, January 5, 2014. Only a very limited number of tickets remain for performances scheduled this week, but there are a number of good tickets remaining for performances the first week of January.

All images provided.